Gian Galang: the painting behind the digital fighter.
The UFC/Crypto.com portraits began on paper. A medium-by-medium reading of the image before the collectible.
Combat
UFC 300: one artist, two scales of attention.
Gian Galang’s mural and poster have different proportions, materials and lives. A comparison of wall, paper and screen.
UFC Poster on Canvas: the image meets the used surface.
An event poster printed onto event-used Octagon canvas joins representation with a material trace. An object reading of what each contributes.
The body as an image.
Four thousand years before the replay, movement found a place on the wall. Our publication begins with the images behind its name.